Rav Moshe Sternbuch and the Rounded Luchos
A South African congregant objects to his shul's round-topped Luchos. Rav Moshe Sternbuch finds no real problem, but for peace has them squared off.
A certain shul in South Africa had such a representation, and one of the congregants was not pleased. He claimed that round Luchos are a non-Jewish innovation and have no place in a shul. Some wrongly assume that Michelangelo was the first person to depict the Luchos with rounded tops when he painted the Sistine Chapel. Further, the congregant reasoned, the display had the Aseres HaDibros written on the Luchos, and the congregant raised concerns about this as well.
The congregant went with a representative of the shul to ask Rav Moshe Sternbuch, shlita, who was still living in South Africa at the time, for a ruling. (Rav Sternbuch is now the Nasi of the Eidah HaChareidis of Yerushalayim and the chief of its beis din.)
Rav Sternbuch didn’t agree that round Luchos are definitively a non-Jewish innovation. He suggested that perhaps a Jewish artisan liked the look of round Luchos, so he built his display that way. Is it a conclusive fact that indeed Rembrandt was the first artist to depict the Luchos with rounded tops? Perhaps he saw a Jewish artist’s representation and just followed suit. Perhaps it was indeed Rembrandt’s own inspiration, but a Jewish artist independently came up with the same idea. Michelangelo actually depicted the Luchos with square tops.